muffled$93631$ - перевод на голландский
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muffled$93631$ - перевод на голландский

ART OF RINGING A SET OF BELLS IN MATHEMATICAL PATTERNS
Change-Ringing; Change-ringing; Change Ringing; Cinques; Learning change ringing; Doubles (bells); Blue line (bell ringing); Striking Contest; Striking competition; Striking contest; Half-muffled; Plain Bob Doubles; Plain Bob Triples; Change ringer
  • Peal board at St Peter and St Paul Church, [[Chatteris]], Cambridgeshire, commemorating the ringing of a [[peal]] in 1910; 5,040 changes were rung in two hours and forty-nine minutes.
  • Call changes on eight bells, with the musical rows Whittingtons, Queens and Tittums. This is not a call change 'peal', but an example of calling changes for a short period for musical effect.
  • Mechanism of a bell hung for English full-circle ringing
  • English style full circle bell with clapper half-muffled. A leather muffle is put over one side only of the clapper ball. This gives a loud strike, then a muffled strike alternately.
  • 6 bells being rung to call changes in All Saints' Church, [[Kirkbymoorside]], in [[North Yorkshire]]
  • The "diagram" of change ringing plain hunt on six bells. Two bells are shown.
  • The bells of St Bees Priory shown in the "up" position. When being rung they swing through a full circle from mouth upwards round to mouth upwards, and then back again.
  •  A [[peal board]] recording the details of a notable peal. Thousands of these boards exist in change ringing belfries
  • The bells of [[St Bees Priory]] in [[Cumbria]] shown in the "down" position, where they are normally left between ringing sessions. This is in the "bell chamber".

muffled      
adj. gedempt (geluid); mat, dof, vaag

Определение

change-ringing
¦ noun the ringing of sets of church bells or handbells in a constantly varying order.
Derivatives
change-ringer noun

Википедия

Change ringing

Change ringing is the art of ringing a set of tuned bells in a tightly controlled manner to produce precise variations in their successive striking sequences, known as "changes". This can be by method ringing in which the ringers commit to memory the rules for generating each change, or by call changes, where the ringers are instructed how to generate each change by instructions from a conductor. This creates a form of bell music which cannot be discerned as a conventional melody, but is a series of mathematical sequences.

Change ringing originated following the invention of English full-circle tower bell ringing in the early 17th century, when bell ringers found that swinging a bell through a much larger arc than that required for swing-chiming gave control over the time between successive strikes of the clapper. Ordinarily a bell will swing through a small arc only at a set speed governed by its size and shape in the nature of a simple pendulum, but by swinging through a larger arc approaching a full circle, control of the strike interval can be exercised by the ringer. This culminated in the technique of full circle ringing, which enabled ringers to independently change the speeds of their individual bells accurately to combine in ringing different mathematical permutations, known as "changes".

Speed control of a tower bell is exerted by the ringer only when each bell is mouth upwards and moving slowly near the balance point; this constraint and the intricate rope manipulation involved normally requires that each bell has its own ringer. The considerable weights of full-circle tower bells also means they cannot be easily stopped or started and the practical change of interval between successive strikes is limited. This places limitations on the rules for generating easily-rung changes; each bell must strike once in each change, but its position of striking in successive changes can only change by one place.

Change ringing is practised worldwide, but it is by far most common on church bells in English churches, where it first developed. Change ringing is also performed on handbells, where conventionally each ringer holds two bells, and chimed on carillons and chimes of bells, though these are more commonly used to play conventional melodies.